Masjid Al-Nabawi door stone relief with Gold Gilding on the center calligraphy medallion, standing on a table
White Stone Masjid Al-Nabawi door stone relief on a travertine slab against linen drapes with palm shadows
White Stone Masjid Al-Nabawi door stone relief, angled view of the geometric pattern and round medallion
Masjid Al-Nabawi Door Stone Relief – Medina Architecture Art
White Stone Masjid Al-Nabawi door stone relief leaning on a stone slab, slight side view
Masjid Al-Nabawi door stone relief with callouts: geometric and floral patterns, deep relief carving
Back of the Masjid Al-Nabawi door stone relief showing the fold-out stand, on a wooden shelf beside a vase
White Stone Masjid Al-Nabawi door stone relief, straight front view on a stone slab
Close-up of the stone relief's geometric lattice and the round Arabic calligraphy medallion
Stone powder calligraphy decor packed in a patterned gift box on a wooden table
Close-up of the Gold Gilding on the Masjid Al-Nabawi door relief calligraphy and border ring
Masjid Al-Nabawi door stone relief with Gold Gilding, dimensions marked 7.8 in (20 cm) wide and high and 1 in (2.5 cm) deep
Masjid Al-Nabawi door stone relief with Gold Gilding on the center calligraphy medallion, standing on a table
White Stone Masjid Al-Nabawi door stone relief on a travertine slab against linen drapes with palm shadows
White Stone Masjid Al-Nabawi door stone relief, angled view of the geometric pattern and round medallion
Masjid Al-Nabawi Door Stone Relief – Medina Architecture Art
White Stone Masjid Al-Nabawi door stone relief leaning on a stone slab, slight side view
Masjid Al-Nabawi door stone relief with callouts: geometric and floral patterns, deep relief carving
Back of the Masjid Al-Nabawi door stone relief showing the fold-out stand, on a wooden shelf beside a vase
White Stone Masjid Al-Nabawi door stone relief, straight front view on a stone slab
Close-up of the stone relief's geometric lattice and the round Arabic calligraphy medallion
Stone powder calligraphy decor packed in a patterned gift box on a wooden table
Close-up of the Gold Gilding on the Masjid Al-Nabawi door relief calligraphy and border ring
Masjid Al-Nabawi door stone relief with Gold Gilding, dimensions marked 7.8 in (20 cm) wide and high and 1 in (2.5 cm) deep

Masjid Al-Nabawi Door Stone Relief – Medina Architecture Art

A stone relief of the Masjid Al-Nabawi door, cast in deep relief and sized for a shelf or prayer corner, carrying the shape of Medina into the room.

181.07 SR 241.42 SR 25%

SKU: CR01100JK18M

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  • A piece of Medina on the shelf, a door a child could recognize
  • Cast stone, 7.9x7.9x1 inch, heavy solid block, matte white finish
  • Deep relief casting of the original door panels, cast solid and heavy
Color
Gold Gilding Gold Gilding
Stone Stone
  • Low stock - 6 items left

A window to the City of the Prophet.

Bring the serenity of Medina into your home with this exquisite **Masjid Al-Nabawi Door Relief**. This handmade piece is a faithful stone casting of the iconic doors found in the Prophet’s Mosque (Al-Masjid An-Nabawi). Every geometric panel, arch, and floral motif from the original design is captured here in deep relief.

This is a solid, substantial block measuring **20x20 cm** with a **2.5cm thickness**. The heavy, matte stone finish gives it an ancient, timeless quality, making it a perfect piece for your prayer corner, bookshelf, or as a sentimental gift for someone missing the Holy Lands.

  • Size (Width x Height x Depth): 20 x 20 x 2.5 cm | 7.9 x 7.9 x 1"
  • Material: 100% cast stone dust, solid and heavy. The relief is cast in, not carved out and not printed on.
  • Design: A replica of the door of Masjid Al-Nabawi.
  • Color: Gold Gilding or Stone.
  • Placement: Stands on a console, a shelf or a mantel. It is not made to hang.
  • Stand: A white-painted stand is included. Press it onto the back with the double-sided tape supplied — that is the whole assembly.
  • Care: Dust it with a soft, dry brush or cloth. Nothing acidic: vinegar and household cleaners etch cast stone. Lift it with two hands rather than sliding it.
  • Origin: Handmade.
  • Free shipping, sent with tracking.
  • In-stock pieces ship within 1–2 business days; custom and personalized pieces take up to 15 days to make.
  • 30-day returns on unused items in their original packaging. If your item arrives damaged, defective or wrong, we cover the return shipping.
  • Custom and personalized pieces are final sale.
  • We cover customs fees for Canada, the UK and Eurozone countries; other countries may charge import duties.
  • Full Shipping Policy and Return Policy.

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  • Material Cast stoneCast solid
  • Finishing Cast stoneSolid, matte
  • ShippingFree ShippingTracking provided
  • CraftMuslim Made

The door of Masjid an-Nabawi

Cast in relief, on a stand you fit yourself

The door of Masjid an-Nabawi, cast in relief from solid white stone dust. Made in one size, 20 × 20 cm.

Three decisions before it ships

  1. Size

    Made in one size, 20 × 20 cm, drawn to scale against a table below.

  2. Finish

    Two finishes — gold gilding or stone.

  3. In use

    A white-painted stand comes in the box. You press it onto the back with the double-sided tape supplied, and it stands on a shelf.

Size in the hand

Made in one size, 20 × 20 cm

One size only, 20 × 20 cm. It is drawn below at true scale against a dining table, which is the honest way to judge it.

Dining table · 120 cm (47 in) wide, 75 cm (30 in) high One size · 20 × 20 cm 7.9 × 7.9 in
SizeWidth × height (in)Width × height (cm)Best for
One size7.9 × 7.9″20 × 20 cmA console, a sideboard or a mantel — the size most chosen

Measure the shelf, not the wall. A tabletop piece is judged on the depth of the surface it sits on rather than the width. Measure front to back, and leave enough room that it is not the first thing knocked when someone reaches past it.

Materials

What it is made of

Material
Cast stoneCast solid
Finishing
Cast stoneSolid, matte
The door of Masjid an-Nabawi, cast in stone

Craft

Cast, not carved and not printed

The panel is cast from white stone dust in one piece, so the relief is part of the body rather than carved out of it or printed onto it. It stands upright on a white-painted stand that you press onto the back with the double-sided tape supplied; the casting itself is solid all the way through.

  • Cast solid from white stone dust, with a stick-on stand
  • Cast solid from white stone dust, so the weight is the material rather than a filler
  • The relief is cast in, not carved out or printed on
  • Handmade, so the surface varies a little piece to piece

On cast stone. White stone dust cast solid gives a piece real weight and a matte, slightly open surface — it takes the light the way a wall of a building does rather than the way a coated panel does.

Finishes

The finishes

The casting is the same in every one; what changes is whether the relief is left as bare stone or gilded. Bare stone reads as the material, the gilding picks up the light.

The door of Masjid an-Nabawi in cast stone in gold gilding

Gold Gilding

A finish that changes how much the script reflects, and how far forward it sits on the wall.

The door of Masjid an-Nabawi in cast stone in stone

Stone

A finish that changes how much the script reflects, and how far forward it sits on the wall.

Using it

Living with it

A piece this heavy is set down once and left, so the two minutes spent deciding where are the whole job.

  1. Fit the stand before anything else

    Lay the piece face down, peel the double-sided tape and press the white-painted stand onto the back. Line it up centrally and hold it a few seconds — that is the whole assembly.

  2. Pick a surface that will not flex

    Cast stone is heavy for its size, so it wants a fixed shelf, a console or a mantel rather than a stack of books.

  3. Set it back from the edge

    A hand’s width in from the front, so it is not the first thing knocked when someone reaches past it.

  • Packed for transit

Where it lives

Where it goes

A console or a sideboard

The run of furniture guests pass, where a piece this size is seen at standing height rather than looked up at.

A shelf or a bookcase ledge

It needs depth rather than width, which is what a shelf has and a wall does not.

A desk or a study table

Close enough to be read at arm’s length, which is the distance the detail is cut for.

Against the alternatives

This pieceCommonly sold alternatives
MaterialSolid cast white stone dustA resin or plaster cast, or a printed panel
FinishesTwo to choose fromUsually one fixed color
What it isThe door at the detail cast stone can holdResin or glass sold as stone

★★★★★

“Loved the ceramic art piece. Matches perfectly with my Kaaba Clock.”
Customer review · 5.0 out of 5 across 1 reviews

Care

Keeping it as it arrived

Dust it dry

A soft, dry brush or cloth. The surface is open, so anything wet sits in it rather than wiping off.

Nothing acidic

Vinegar and household cleaners etch cast stone. Water alone, sparingly, if a mark will not brush off.

Set it down, do not slide it

It is heavy enough to mark a wooden surface if dragged. Lift it with two hands.

Pick yours

One size, one construction. Check the depth of the shelf it is going on — cast stone is heavier than it looks and wants to sit well back.

See the options

Frequently Asked Questions

The gate is a symbol of 'Bab al-Salam' (The Gate of Peace). In Islamic tradition, entering the Prophet's Mosque is an act of seeking proximity to the Messenger (PBUH). Having this art in your home acts as a 'Niyyah' (intention) of longing for Ziyarah (visiting Medina) and serves as a constant reminder of the Prophet's character and his final resting place.

The Medina gates are famous for their complex 'Islimi' (arabesque) and geometric brass work. To replicate this, we use high-precision laser cutting in our Turkish workshop. This allows us to achieve the exact symmetry and delicate floral patterns seen in the original gates, providing a museum-quality replica that captures the light just like the brass gates in Medina.

No. Our metal gate art undergoes a premium industrial electro-coating process. Unlike standard paint, this creates a chemical bond that is rust-resistant and tarnish-proof. Whether you choose the traditional Gold (reflecting the original brass) or a modern Silver, the finish is designed to maintain its brilliant luster for decades without fading or peeling.

The foyer or entryway is the most traditional spot, as it symbolizes entering a place of peace. It is also common to place it in a dedicated prayer area (Musallah). Following 'Adab' (etiquette), ensure the art is hung high on the wall (above shoulder level) to honor the sacred site it represents.

We treat this as an 'Amanah' (trust). Our design team in Turkey uses high-resolution photography and architectural drawings of the actual gates in Medina. We focus on the specific proportions of the arches and the 'Al-Madinah' script to ensure that the piece you hang is a faithful and respectful tribute to the holy site.

Because of the fine laser cutting, dust can settle in the small geometric gaps. Use a soft, dry microfiber cloth or a soft-bristle brush to gently whisk away dust. Avoid water or chemical cleaners, as they are unnecessary for our premium finishes and could eventually affect the luster of the electro-coating.

Our metal art is engineered to be sturdy yet lightweight. Most gate pieces are designed to be hung with a single nail. They feature built-in spacers that allow the art to sit 1.5 cm away from the wall, creating a beautiful 3D shadow effect that mimics the depth of the real mosque gates.

It is the ultimate 'Mubarak' gift for a traveler returning from the Haramayn. It serves as a permanent memento of their journey and their time in Medina. Gifting this is seen as a way to share in the 'Barakah' of their pilgrimage and helps them keep the 'Noor' (light) of Medina alive in their home.

Turkey has a centuries-old tradition of metalwork and a deep historical connection to the administration of the Holy Sites. Our Turkish craftsmen understand the spiritual weight of these designs, ensuring that every curve and pattern is executed with the 'Ihsan' (excellence) required for such a significant piece of Islamic history.

Our Islamic Stone Decors are made out of hand-cast Stone and Dust mixture.

Our Stone Tabletops are sent along with a metal stand which could be placed on the backside with no hassle, ensuring its stability while placed on your shelves or tables.

Our Islamic Stone Decors could be cleaned with a dry microfiber cloth. We do not suggest the application of any chemicals on them.

Definitely! You may use our stone-cast decors at any time of the year as you wish. They are a great choice for Ramadan, Eid and for your personal occasions.

Got more questions? See our full FAQ page or chat with our team .

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