Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Islamic Wall Art Store
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration
Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration

Shahada – Zweite Kalima auf gehärtetem Glas | Islamische Kalligraphie-Wanddekoration

The Shahada, Islam's Second Kalima, in gold or silver calligraphy on black tempered glass, 35.4x13 inches, for any wall in the house or prayer room.

647.39 SR Normaler Preis 862.07 SR SonderpreisSparen 25%
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SKU: SC14600S2VY6

Kalligraphiefarbe
Größe
Hintergrundfarbe

Size guide

13.0"33 cm 35.4"90 cm
  • Auf Lager
  • Gives the wall a finished line of gold or silver script
  • Tempered glass, 35.4x13 inches, 0.3 inch thick, black background
  • Ready to hang with a single nail from the back mount

The Shahada

Acrylic calligraphy on a long glass panel

The Shahada set in acrylic over tempered glass. Made in one size, 90 × 33 cm.

Three decisions before it ships

  1. Size

    Made in one size, 90 × 33 cm, drawn to scale against a sofa below.

  2. Finish

    Two grounds — silver on black or gold on black.

  3. Hanging

    A hanging part is fitted to the back and one nail carries it. It ships ready to hang.

What is written on it

The words themselves

The declaration itself, in the wording used when it is borne witness to rather than simply stated.

أَشْهَدُ أَنْ لَا إِلِهَ إِلَّا اللَّهُ وَأَشْهَدُ أَنَّ مُحَمَّدًا رَسولُ اللَّهِ

Ashhadu an la ilaha illallah wa ashhadu anna Muhammadan rasulullah.

“I bear witness that there is no deity but Allah, and I bear witness that Muhammad is the Messenger of Allah.”

The Kalima Shahada

Size & scale

Made in one size, 90 × 33 cm

One size only, 90 × 33 cm, so the decision is the wall rather than the piece. It is drawn below at true scale above a three-seat sofa, which is the only honest way to judge it.

Three-seat sofa · 200 cm (79 in) wide, 82 cm (32 in) high L · 90 × 33 cm 35.43 × 13 in
SizeWidth × height (in)Width × height (cm)Best for
L35.43 × 13″90 × 33 cmAbove a three-seat sofa or a sideboard

Match it to the furniture, not the wall. A low horizontal piece looks right when it spans roughly two thirds of whatever sits beneath it. Run painter's tape to the full width first and look at it from where you normally sit.

Materials

What it is made of

Material
Tempered glass8 mm, single piece
Finishing
Glass and acrylicOn 8 mm tempered glass
Shahada, on tempered glass

Craft

Acrylic on glass, not printed on it

The calligraphy is cut from acrylic and laid onto the glass, so it stands proud of the surface. The glass is produced as one piece.

  • Acrylic calligraphy standing proud of the glass
  • Calligraphy in acrylic, layered onto the painted glass rather than printed on it
  • Tempered glass at 8 mm, produced as a single piece
  • A metal hanging part fitted to the back, so nothing shows on the face

On tempered glass. Tempered glass is heat-treated after cutting, which is what lets a single 8 mm sheet hang from one nail and take a knock without a frame around it. The color is painted onto the glass, so it sits behind the surface you touch.

Finishes

The finishes

Every option is the same glass and the same text; what changes is the ground behind it and the color on it. The darker grounds read from further away, the lighter ones keep a pale wall light.

Shahada on tempered glass in silver on black

Silver on Black

Silver calligraphy on a black ground. The silver is cooler and sharper, and the easier one to place in a room with chrome or glass.

Shahada on tempered glass in gold on black

Gold on Black

Gold calligraphy on a black ground. The gold is the warmer of the two, and the one that carries furthest in lamplight.

Hanging it

One nail, and one level line

Glass wants the hanger measured rather than guessed, and it wants carrying by the edges. Both take a minute.

  1. Lay it face down and find the hanger

    Set it on a towel, face down, and measure from the top edge to the metal hanging part. That one number is the whole job.

  2. Pencil one level line

    Mark a light horizontal line at hanger height, centered on the furniture below rather than on the wall as a whole.

  3. One nail, then lift by the edges

    Set a single nail on the line. Carry the panel by its edges — never by the calligraphy — and hook it on.

  • Mounting bracket already fitted to the back
  • Ships ready to hang; no frame, glass or backing board to fit
  • Packed with corner protection for transit

Where it goes

Where it goes

Above the sofa

The wall a wide glass panel was made for, spanning roughly two thirds of the seat beneath it.

Dining and console walls

A long, low panel sits naturally over a sideboard, and glass takes the light a matte piece cannot.

An entry or hallway

A mirrored ground throws light back down a corridor, which is what makes a narrow space read wider.

Against the alternatives

This pieceCommonly sold alternatives
MaterialPainted tempered glass with acrylic calligraphyPrinted acrylic sheet, or a print behind window glass
FinishesTwo to choose fromUsually one fixed color
The textThe full declaration, not an abbreviationOften an excerpt rather than the whole text
HangingBracket pre-fitted, ready to hangFrame, hooks or backing board to fit yourself

Care

Keeping it as it arrived

Dry cloth only

A soft, dry cloth on the glass face. Nothing abrasive, and nothing on the acrylic calligraphy.

No ammonia or alcohol

Household glass cleaner attacks both the paint behind the glass and the acrylic on it. A barely damp cloth, dried at once, is enough.

Lift it by the edges

An 8 mm sheet is heavy for its size and the calligraphy stands proud of the face. Carry it by the edges, never by the script.

Choose your size and finish

One size, one construction. Tape the outline on the wall before you order — it is the only measurement that matters.

Choose your size
KOSTENLOSER Versand für Bestellungen über +50 $
Keine überraschenden Steuern
30 Tage problemlose Rückgabe
Flexible Zahlungsoptionen

Häufig gestellte Fragen

The First Kalima is the 'Key to Jannah.' Scholars from the Islamic Bulletin note that its presence in a home creates an environment of 'Tawhid' (Oneness). It acts as a spiritual anchor, reminding the residents to align every action with the pleasure of Allah and the example of the Prophet (PBUH).

Yes, it is highly encouraged as a form of 'Dhikr' (remembrance). The key is 'Adab' (etiquette): it must be placed in a clean, elevated position, typically above eye level. It should never be placed near floors, in bathrooms, or in areas where it might be treated with disrespect.

No. Our metal pieces undergo a premium electro-coating process in Turkey. This industrial-grade finish creates a chemical bond that is rust-resistant and tarnish-proof. Whether you choose Gold, Silver, or Black, the finish is designed to maintain its brilliant, mirror-like luster for decades.

The most traditional and respectful locations are the living room foyer or a dedicated prayer space (Musallah). Hanging it near the entrance of the home is a powerful way to set the spiritual tone for everyone who enters, reminding them of the foundation of their faith.

Accuracy is treated as a sacred 'Amanah' (trust). Every piece is designed in Turkey and cross-referenced with the Uthmani. Master calligraphers meticulously verify every 'Nuqta' (dot) and 'Haraka' (vowel mark) to ensure the divine words are perfectly preserved.

Our wood art offers a warm, 3D organic feel that brings a traditional aesthetic. Our metal art features a sleek, high-end finish with industrial durability. Both materials are handcrafted in our Turkish workshop to ensure museum-quality standards.

Yes, it is common to hang it in a bedroom as a source of peace and a reminder to make the Kalima one's final thought before sleep. Ensure it is mounted securely and high on the wall to maintain the respect due to the declaration of faith.

Treat the art with the same respect as a Mushaf. We recommend using a soft, dry microfiber cloth to gently remove dust. Avoid water or chemical cleaners, as they are unnecessary for our premium finishes and could potentially dull the luster over time.

Our metal art is engineered to be sturdy yet lightweight. Most pieces are designed to be hung with a single nail. They often feature built-in spacers that allow the art to sit 1.5 cm away from the wall, creating a beautiful 3D shadow effect that adds depth to the script.

Turkey is the historical heart of Islamic calligraphy. By manufacturing in our Turkish workshop, we employ craftsmen who have inherited centuries of artistic tradition. This ensures that the proportions of every letter are aesthetically and scripturally perfect, a quality mass-produced items cannot match.

Tempered glass is moisture-resistant, but the artwork or ink used may not be waterproof. It's best to keep the art indoors and away from direct exposure to rain or high humidity. If used in bathrooms, ensure it's in a well-ventilated area and securely mounted.

While tempered glass itself resists UV damage, the printed artwork may gradually fade if exposed to direct sunlight for extended periods. For longevity, it's recommended to place your wall art away from harsh, direct sunlight or use UV-protective window films.

Use a soft microfiber cloth and a mild glass cleaner. Spray the cleaner onto the cloth (not directly onto the glass) and gently wipe the surface. Avoid abrasive materials or strong chemicals, as they may scratch the glass or damage the artwork's finish.

Yes, tempered glass is significantly stronger and safer than regular glass. It is heat-resistant and designed to shatter into small, less dangerous pieces if broken. This makes it safe for use in various rooms, including kitchens and even children's rooms—though proper installation is essential.


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