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Surah Yusuf Vers 64 – Islamische Wandkunst, gehärtetes Glas

A single wall spot at 35.4 by 13 inches, filled entirely with Surah Yusuf Ayat 64 in gold or silver calligraphy on solid black tempered glass panel.

647.58 SR Normaler Preis 862.33 SR SonderpreisSparen 25%
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SKU: SC16000ESD98

Größe
Kalligraphiefarbe
Hintergrundfarbe

Size guide

35.4"90 cm 13.0"33 cm
  • Auf Lager
  • Fills one long narrow wall spot with a single piece
  • Black tempered glass, 0.3 inches thick, 35.4 x 13 inches
  • Ships ready to hang, single-nail mount included

Surah Yusuf, verse 64

Acrylic calligraphy on a long glass panel

Surah Yusuf, verse 64 set in acrylic over tempered glass. Made in one size, 90 × 33 cm.

Three decisions before it ships

  1. Size

    Made in one size, 90 × 33 cm, drawn to scale against a sofa below.

  2. Finish

    Two grounds — gold on black or silver on black.

  3. Hanging

    A hanging part is fitted to the back and one nail carries it. It ships ready to hang.

What is written on it

The words themselves

Allah is the best guardian — said over what you cannot watch yourself, which is why it goes in a child’s room as often as a hallway.

فَاللَّهُ خَيْرٌ حَافِظًا ۖ وَهُوَ أَرْحَمُ الرَّاحِمِينَ

“But Allah is the best guardian, and He is the most merciful of the merciful.”

Surah Yusuf 12:64

Size & scale

Made in one size, 90 × 33 cm

One size only, 90 × 33 cm, so the decision is the wall rather than the piece. It is drawn below at true scale above a three-seat sofa, which is the only honest way to judge it.

Three-seat sofa · 200 cm (79 in) wide, 82 cm (32 in) high L · 90 × 33 cm 35.4 × 13 in
SizeWidth × height (in)Width × height (cm)Best for
L35.4 × 13″90 × 33 cmAbove a three-seat sofa or a sideboard

Match it to the furniture, not the wall. A low horizontal piece looks right when it spans roughly two thirds of whatever sits beneath it. Run painter's tape to the full width first and look at it from where you normally sit.

Materials

What it is made of

Material
Tempered glass8 mm, single piece
Finishing
Glass and acrylicOn 8 mm tempered glass
Surah Yusuf Verse 64, on tempered glass

Craft

Acrylic on glass, not printed on it

The calligraphy is cut from acrylic and laid onto the glass, so it stands proud of the surface. The glass is produced as one piece.

  • Acrylic calligraphy standing proud of the glass
  • Calligraphy in acrylic, layered onto the painted glass rather than printed on it
  • Tempered glass at 8 mm, produced as a single piece
  • A metal hanging part fitted to the back, so nothing shows on the face

On tempered glass. Tempered glass is heat-treated after cutting, which is what lets a single 8 mm sheet hang from one nail and take a knock without a frame around it. The color is painted onto the glass, so it sits behind the surface you touch.

Finishes

The finishes

Every option is the same glass and the same text; what changes is the ground behind it and the color on it. The darker grounds read from further away, the lighter ones keep a pale wall light.

Surah Yusuf Verse 64 on tempered glass in gold on black

Gold on Black

Gold calligraphy on a black ground. The gold is the warmer of the two, and the one that carries furthest in lamplight.

Surah Yusuf Verse 64 on tempered glass in silver on black

Silver on Black

Silver calligraphy on a black ground. The silver is cooler and sharper, and the easier one to place in a room with chrome or glass.

Hanging it

One nail, and one level line

Glass wants the hanger measured rather than guessed, and it wants carrying by the edges. Both take a minute.

  1. Lay it face down and find the hanger

    Set it on a towel, face down, and measure from the top edge to the metal hanging part. That one number is the whole job.

  2. Pencil one level line

    Mark a light horizontal line at hanger height, centered on the furniture below rather than on the wall as a whole.

  3. One nail, then lift by the edges

    Set a single nail on the line. Carry the panel by its edges — never by the calligraphy — and hook it on.

  • Mounting bracket already fitted to the back
  • Ships ready to hang; no frame, glass or backing board to fit
  • Packed with corner protection for transit

Where it goes

Where it goes

Above the sofa

The wall a wide glass panel was made for, spanning roughly two thirds of the seat beneath it.

Dining and console walls

A long, low panel sits naturally over a sideboard, and glass takes the light a matte piece cannot.

An entry or hallway

A mirrored ground throws light back down a corridor, which is what makes a narrow space read wider.

Against the alternatives

This pieceCommonly sold alternatives
MaterialPainted tempered glass with acrylic calligraphyPrinted acrylic sheet, or a print behind window glass
FinishesTwo to choose fromUsually one fixed color
The textThe verse in full, not an excerptOften an excerpt rather than the whole text
HangingBracket pre-fitted, ready to hangFrame, hooks or backing board to fit yourself

Care

Keeping it as it arrived

Dry cloth only

A soft, dry cloth on the glass face. Nothing abrasive, and nothing on the acrylic calligraphy.

No ammonia or alcohol

Household glass cleaner attacks both the paint behind the glass and the acrylic on it. A barely damp cloth, dried at once, is enough.

Lift it by the edges

An 8 mm sheet is heavy for its size and the calligraphy stands proud of the face. Carry it by the edges, never by the script.

Choose your size and finish

One size, one construction. Tape the outline on the wall before you order — it is the only measurement that matters.

Choose your size
KOSTENLOSER Versand für Bestellungen über +50 $
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Häufig gestellte Fragen

Prophet Ya'qub (AS) spoke this verse when his sons asked to take their youngest brother, Benjamin, to Egypt. Having already lost Yusuf (AS) years prior, he acknowledged that human effort and promises of protection are limited. By saying "Allah is the best guardian," he surrendered his fear to the only One whose protection is absolute and unerring.

The pairing is intentional. Allah’s protection (*Hifz*) is not just a cold, mechanical shielding; it is rooted in His infinite Mercy (*Rahmah*). It suggests that when Allah protects us, He does so with a kindness that understands our vulnerabilities. This makes the verse a source of immense emotional comfort during times of anxiety or transition.

This is a popular choice for children's spaces because it serves as a visual Dua. While parents do their best to protect their children, this verse reminds them that the ultimate Guardian is Allah. It creates an atmosphere of peace and reliance on the Divine, teaching children from a young age where true security comes from.

The base of the art is high-strength tempered glass or metal. The Arabic calligraphy is precision-cut from high-gloss or mirrored acrylic (plexiglass) for the glass design and meticulously hand-mounted onto the glass surface. This creates a multi-layered effect where the text physically stands out from the background, catching light and casting soft shadows.

This design typically utilizes a fluid, protective 'Thuluth' or 'Diwani' script. The curves of the letters are often arranged to feel "encompassing," mirroring the theme of guardianship. The word 'Allah' is usually placed as the highest visual anchor to reinforce the theological message that all protection flows from Him.

The piece is mounted with specialized hidden spacers that hold it away from the wall. This 'floating' look removes the need for bulky traditional frames, allowing the elegant Arabic script to breathe. It creates a clean, minimalist silhouette that fits perfectly in contemporary homes while maintaining the sanctity of the text.

In Islamic tradition, this verse is a go-to prayer for safety. Gifting it to someone starting a new journey, business, or home is a way of wishing them the highest form of security. It is prestigious because it offers both high-end artistic beauty and a lifetime of spiritual grounding for the recipient.

Every 'harakat' (vowel mark) and diacritical point is meticulously verified against the original Uthmani script by master designers. This ensures that the artisan work remains 100% faithful to the Qur'anic text, providing peace of mind that the art is as spiritually sound as it is visually stunning.

No. The engineering is completely seamless except for the stability screws' backside. Each piece features a specialized hidden hanging system on the reverse side. This allows the art to be mounted securely while sitting slightly off the wall (the 'floating' effect), keeping the focus entirely on the beautiful calligraphy.

Maintenance is intentionally minimal to preserve the artisan finish. A simple dusting with a soft, dry microfiber cloth once a month is usually all that is required. By avoiding harsh chemicals or wet cleaning, the luster and crispness of the 3D calligraphy remain gallery-new for decades.

Tempered glass is moisture-resistant, but the artwork or ink used may not be waterproof. It's best to keep the art indoors and away from direct exposure to rain or high humidity. If used in bathrooms, ensure it's in a well-ventilated area and securely mounted.

While tempered glass itself resists UV damage, the printed artwork may gradually fade if exposed to direct sunlight for extended periods. For longevity, it's recommended to place your wall art away from harsh, direct sunlight or use UV-protective window films.

Use a soft microfiber cloth and a mild glass cleaner. Spray the cleaner onto the cloth (not directly onto the glass) and gently wipe the surface. Avoid abrasive materials or strong chemicals, as they may scratch the glass or damage the artwork's finish.

Yes, tempered glass is significantly stronger and safer than regular glass. It is heat-resistant and designed to shatter into small, less dangerous pieces if broken. This makes it safe for use in various rooms, including kitchens and even children's rooms—though proper installation is essential.


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